Some more pretentious quotes
[clinton/website/src/unknownlamer.org.git] / Politics.muse
1 #title Do Not Accept the Weak State of Mind in Our Time
2
3 I have views that could perhaps be seen as odd. Do note that I am **not**
4 a liberal; nor am I a conservative. I do not buy into the traditional
5 socieconomic dipole scale, and I also reject the *political compass* two
6 dimensional scale; my political belief system could best be described
7 as *curmudgeonly bastard* if you must have a label for it. This is only
8 because being a curmudgeonly bastard isn't an ideology, but rather a
9 broad set of ideas centered around the rejection of traditional
10 political and social structures (*i.e* hating everything). I reject the
11 *ressentiment* (lookit I'm Nietzsche) of traditional anarchism and
12 believe not that every man should have no master (for then *all* would
13 be weak), but rather that he should be his own master.
14
15 These short essays are mere stubs I wrote a long while ago, and each
16 will perhaps be extended in the future.
17
18 * [[Wisdom][The Basis of My Philosophy]]
19
20 I read some things and thought they were cool. Now I can make people
21 think I'm smarter than I really am.
22
23 * The Current Economic and Political Structure Is Broken
24
25 ** The Government of the Unites States
26
27 I feel that the government in the United States is very close to being
28 broken beyond repair (perhaps this is a bit conservative, but one must
29 hope). As it stands the government above the local level (and even
30 there!) ignores the individual citizen and instead is only forced to
31 do anything by large scale action. As far as the individual is
32 concerned we no longer live in a Republic, but rather in an Plutocracy
33 which is quickly descending into something far worse.
34
35 ** Capitalism is Intrinsically Evil
36
37 Cooperation is better than exploitation. How can one justify an
38 economic system based upon paying others as little as possible in an
39 attempt to make the most profit from their labor so as to make some
40 profit?
41
42 But then again, what does *evil* mean?
43
44 * Misc
45
46 ** Long Term Copyright Causes Harm to Society (=Draft Revision 2=)
47
48 ; maybe reinsert intro [[clintons-plans#Writing]]
49
50 ; - Craft work compensated directly
51
52 It is straightforward to calculate a fair cost for material goods. The
53 material cost follows from the materials, and the labor cost generally
54 derives from the complexity of construction. The fixed price for each
55 item consists of both of these factors. Thus it is trivial to ensure
56 that a craftsman is fairly compensated for his effort.
57
58 ; - Creative work indirectly
59 ; - Harder to regain effort spent on creating
60
61 Creative works must have their value calculated via a more circuitous
62 route. The physical form of a creative work is of little importance;
63 the ideas it represents are. The material and direct labor costs
64 (printing, binding, etc.) are thus so small as to be of negligible
65 importance when calculating value. There is effectively no objective
66 way to place value on abstract work; all the value judgements we can
67 make are subjective. We must then rely on irrational human valuations
68 to determine the value on their own.
69
70 ; - Works contain ideas
71 ; - Focus on written works
72 ; - Inherent nature of ideas
73 ; - Absorbed into the mind of the reader
74 ; - Freely copied orally, libraries, ...
75 ; - Absorbed into the culture
76
77
78 Creative works are fundamentally different from concrete works. A
79 painting may inspire others start a new stylistic movement, the
80 structure of a story may cause the formation of a new literary form,
81 an essay may incite a new political movement, etc. Creative works
82 weave themselves into the mental fabric of each individual exposed to
83 them in a way that material goods cannot. A book may change your life;
84 a table will never do that. This suggests that the abstract concepts
85 which compose a work have a strange nature and great value. Those who
86 control the distribution of creative works wield great power as a
87 result of the ability of ideas to change the individual.
88
89 After a certain period of time the physical manifestation of a
90 creative work loses commercial value. New art is being created
91 continually, and no one can be expected to read every important book
92 written, see every film, and so on for other areas. When a work ceases
93 to be profitable to publish distribution ceases. Allowing abstract
94 works to simply drop from the market creates a serious problem. New
95 ideas are built upon old ones, and after ideas have assimilated into
96 the collective concious it is important to be able to go back to the
97 old ideas and analyze them to understand the present culture. If a
98 work is no longer available it is impossible to do this. Thus works
99 that are no longer being commercially exploited should become the
100 property of the public so that any worth preserving will be preserved
101 by *someone* and avoid death.
102
103 ; - Copyright helps authors
104 ; - Gives reasonable period for ideas to be commercially exploited
105
106 Copyright manages to work fairly well for ensuring creators are
107 compensated for their effort, preventing abuse of creator rights to
108 the detriment of society, and ensuring that works will become public
109 property after they are commercially unprofitable. Irrational human
110 judgements over time often work well, and so giving exclusive right to
111 copy a work makes sense for a period of time to allow society to
112 determine its monetary value. The fair use provisions of copyright
113 give society reasonable leeway in the use of the ideas contained
114 within a work while the work is protected, and this allows society to
115 continue enriching its creative culture. The limited term of copyright
116 and ensuing reversion to the public domain prevents the cultural
117 stagnation and the loss of history that would result from works
118 becoming unavailable.
119
120 ; - Copyright should be short
121 ; - Purpose is to give the creator time to compensate himself for the
122 ; effort spent writing
123 ; - Works often have short commercial life (cite)
124
125 The term of copyright must be finely balanced between the need to
126 ensure creators have enough time to receive fair compensation for
127 their effort, and the desire to avoid cultural stagnation from
128 unavailable works. The term must be short enough that a work will not
129 be unavailable for too long after commercial interest dies. Every year
130 that passes where the work isn't being published tends to reduce the
131 number of copies in existence. It must also be long enough that a
132 creator can profit according to the value that society puts upon his
133 work.
134
135 A term should be just long enough that a work will fall out of
136 copyright when physical copies are still likely to exist. A man may
137 keep his book collection unto his death, but his children may simply
138 sell them off or discard them after he departs the mortal
139 coil. Intuitive judgement says that things that are worth entering the
140 public domain will be preserved by someone for at least his life. A
141 person who has creative works in his posession is often attached to
142 them and will keep the ones he likes the most for as long as possible
143 (e.g. my music collection is backed up in flac so that I will be able
144 to listen to my music forever). After he dies there is a large
145 increase in the chance that the works will perish unless he by chance
146 made special arrangements to have them preserved.
147
148 A generation then seems to be a reasonable term; how many things are
149 really commercially viable after thirty years? Some works may be
150 relevant to the children of the generation who created them; it seems
151 reasonable then that if a work is still commercially viable after a
152 generation then the creator deserves to retain copyright for a second
153 generation. It is questionable whether more terms would be good
154 (issues of supression of information, right to profit, etc. come into
155 play), but they can't quite be ruled out. A renewal system with a span
156 of roughly thirty years ensures that a work will be out of publication
157 for at most a generation's time. This appears to be a good balance
158 between the right of the creator and the desire to keep knowledge from
159 dying (from my eyes).
160
161 The works of the current generation, their parents, their
162 grandparents, and their great-grandparents are still copyrighted in
163 the US. Works created in the present will be copyrighted for the
164 lifetime of the author and seventy years after; a span of roughly six
165 generations.
166
167 ** Fewer Laws Are Better
168
169 *** Individuals should not have their actions regulated
170
171 *** Corporations must have their actions heavily regulated
172
173 Corporate power disrupts the functioning of a free society. If the
174 power wielded by a corporation were merely the sum of the individuals
175 that composed it there would be little issue; the fundamental problem
176 is that the benefits of gaining access to mass production facilities
177 and a huge workforce that can be forced to cooperate on certain goals
178 gives a large corporation much more than this.
179
180 **** Corporate Personhood should be revoked
181
182 **** Corporations should not be allowed to influence politics
183
184 * Social Ills
185
186 ** Mass Culture
187
188 American culture in the early 1900s began to homogenize, and now there
189 is a single massive culture that almost all three hundred million
190 people in the country share. This presents problems to those who do
191 not fit in; in the days of the self sufficient village one could move
192 to another location to find people similar to him, but now there is
193 nowhere to go. Everywhere a *social deviant* goes he will feel alienated
194 and have his social options severely limited.
195
196 A monoculture reduces the rate of idea formation, and ours is actively
197 hostile toward anything not falling in line with the
198 mainstream. People are trained to act as a mass instead of as
199 individuals; this results in far less creative people. Critical
200 thinking is not encouraged; no, it is far worse! Critical thinking is
201 discouraged, and those of us who wish to argue our points with logic
202 are met with the undefeatable enemy of a closed mind that has been
203 exposed to propaganda from birth.
204
205 ** The Automobile
206
207 ; How far is your average trip in a car? If you don't often go further
208 ; than twenty miles have you thought about getting rid of your car?
209 ; Twenty miles! Quite the distance, isn't it? In reality it is a short
210 ; [[Bicycle][bicycle]] ride that is often under or only slightly longer than an hour
211 ; long! If this pathetic nerd can do it so can you!
212
213 ; We have finite natural resources, and oil is a resource that we have
214 ; foolishly exploited to the point of exhaustion. Ethanol and other
215 ; biofuels are pipe dreams, and you **shall** have no choice but to learn to
216 ; live without a car as oil is going to increase in cost substantially
217 ; over the next twenty years. Why wait until you are forced to give up
218 ; your car to do so? It makes more economic sense to give it up now
219 ; rather than spend more and more of your income every year just to
220 ; travel. Even ignoring that aspect the confidence it fills you with is
221 ; quite wonderful; there was a time when I walked staring at the ground
222 ; fearful of the world, and now I stand tall and can stare a driver in
223 ; the eyes and tell him to go ahead and try to run into me because I'm
224 ; not giving up my ground.
225
226 ; Try self transport; it is good for your body and mind. The relative
227 ; low cost of automobiles has forced us into a false sense of needing to
228 ; be transported by machine. We are humans; the lone bipedal upon this
229 ; planet. We were born to transport ourselves!
230
231 ** Learned Ignorance and Weakness
232
233 [[Old Viewpoints][obsolete]]
234
235 [[TRUTH]]