Some more pretentious quotes
[clinton/website/src/unknownlamer.org.git] / Politics.muse
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8a7c1bf7 1#title Do Not Accept the Weak State of Mind in Our Time
2
3I have views that could perhaps be seen as odd. Do note that I am **not**
4a liberal; nor am I a conservative. I do not buy into the traditional
5socieconomic dipole scale, and I also reject the *political compass* two
6dimensional scale; my political belief system could best be described
e281f5a2 7as *curmudgeonly bastard* if you must have a label for it. This is only
a6b655d9 8because being a curmudgeonly bastard isn't an ideology, but rather a
e281f5a2 9broad set of ideas centered around the rejection of traditional
a6b655d9 10political and social structures (*i.e* hating everything). I reject the
11*ressentiment* (lookit I'm Nietzsche) of traditional anarchism and
12believe not that every man should have no master (for then *all* would
13be weak), but rather that he should be his own master.
e281f5a2 14
15These short essays are mere stubs I wrote a long while ago, and each
16will perhaps be extended in the future.
8a7c1bf7 17
18* [[Wisdom][The Basis of My Philosophy]]
19
e281f5a2 20I read some things and thought they were cool. Now I can make people
21think I'm smarter than I really am.
8a7c1bf7 22
23* The Current Economic and Political Structure Is Broken
24
25** The Government of the Unites States
26
27I feel that the government in the United States is very close to being
e281f5a2 28broken beyond repair (perhaps this is a bit conservative, but one must
29hope). As it stands the government above the local level (and even
30there!) ignores the individual citizen and instead is only forced to
31do anything by large scale action. As far as the individual is
32concerned we no longer live in a Republic, but rather in an Plutocracy
33which is quickly descending into something far worse.
8a7c1bf7 34
35** Capitalism is Intrinsically Evil
36
37Cooperation is better than exploitation. How can one justify an
38economic system based upon paying others as little as possible in an
39attempt to make the most profit from their labor so as to make some
40profit?
41
e281f5a2 42But then again, what does *evil* mean?
43
8a7c1bf7 44* Misc
45
46** Long Term Copyright Causes Harm to Society (=Draft Revision 2=)
47
48; maybe reinsert intro [[clintons-plans#Writing]]
49
50; - Craft work compensated directly
51
52It is straightforward to calculate a fair cost for material goods. The
53material cost follows from the materials, and the labor cost generally
54derives from the complexity of construction. The fixed price for each
55item consists of both of these factors. Thus it is trivial to ensure
56that a craftsman is fairly compensated for his effort.
57
58; - Creative work indirectly
59; - Harder to regain effort spent on creating
60
61Creative works must have their value calculated via a more circuitous
62route. The physical form of a creative work is of little importance;
63the ideas it represents are. The material and direct labor costs
64(printing, binding, etc.) are thus so small as to be of negligible
65importance when calculating value. There is effectively no objective
66way to place value on abstract work; all the value judgements we can
67make are subjective. We must then rely on irrational human valuations
68to determine the value on their own.
69
70; - Works contain ideas
71; - Focus on written works
72; - Inherent nature of ideas
73; - Absorbed into the mind of the reader
74; - Freely copied orally, libraries, ...
75; - Absorbed into the culture
76
77
78Creative works are fundamentally different from concrete works. A
79painting may inspire others start a new stylistic movement, the
80structure of a story may cause the formation of a new literary form,
81an essay may incite a new political movement, etc. Creative works
82weave themselves into the mental fabric of each individual exposed to
83them in a way that material goods cannot. A book may change your life;
84a table will never do that. This suggests that the abstract concepts
85which compose a work have a strange nature and great value. Those who
86control the distribution of creative works wield great power as a
87result of the ability of ideas to change the individual.
88
89After a certain period of time the physical manifestation of a
90creative work loses commercial value. New art is being created
91continually, and no one can be expected to read every important book
92written, see every film, and so on for other areas. When a work ceases
93to be profitable to publish distribution ceases. Allowing abstract
94works to simply drop from the market creates a serious problem. New
95ideas are built upon old ones, and after ideas have assimilated into
96the collective concious it is important to be able to go back to the
97old ideas and analyze them to understand the present culture. If a
98work is no longer available it is impossible to do this. Thus works
99that are no longer being commercially exploited should become the
100property of the public so that any worth preserving will be preserved
101by *someone* and avoid death.
102
103; - Copyright helps authors
104; - Gives reasonable period for ideas to be commercially exploited
105
106Copyright manages to work fairly well for ensuring creators are
107compensated for their effort, preventing abuse of creator rights to
108the detriment of society, and ensuring that works will become public
109property after they are commercially unprofitable. Irrational human
110judgements over time often work well, and so giving exclusive right to
111copy a work makes sense for a period of time to allow society to
112determine its monetary value. The fair use provisions of copyright
113give society reasonable leeway in the use of the ideas contained
114within a work while the work is protected, and this allows society to
115continue enriching its creative culture. The limited term of copyright
116and ensuing reversion to the public domain prevents the cultural
117stagnation and the loss of history that would result from works
118becoming unavailable.
119
120; - Copyright should be short
121; - Purpose is to give the creator time to compensate himself for the
122; effort spent writing
123; - Works often have short commercial life (cite)
124
125The term of copyright must be finely balanced between the need to
126ensure creators have enough time to receive fair compensation for
127their effort, and the desire to avoid cultural stagnation from
128unavailable works. The term must be short enough that a work will not
129be unavailable for too long after commercial interest dies. Every year
130that passes where the work isn't being published tends to reduce the
131number of copies in existence. It must also be long enough that a
132creator can profit according to the value that society puts upon his
133work.
134
135A term should be just long enough that a work will fall out of
136copyright when physical copies are still likely to exist. A man may
137keep his book collection unto his death, but his children may simply
138sell them off or discard them after he departs the mortal
139coil. Intuitive judgement says that things that are worth entering the
140public domain will be preserved by someone for at least his life. A
141person who has creative works in his posession is often attached to
142them and will keep the ones he likes the most for as long as possible
143(e.g. my music collection is backed up in flac so that I will be able
144to listen to my music forever). After he dies there is a large
145increase in the chance that the works will perish unless he by chance
146made special arrangements to have them preserved.
147
148A generation then seems to be a reasonable term; how many things are
149really commercially viable after thirty years? Some works may be
150relevant to the children of the generation who created them; it seems
151reasonable then that if a work is still commercially viable after a
152generation then the creator deserves to retain copyright for a second
153generation. It is questionable whether more terms would be good
154(issues of supression of information, right to profit, etc. come into
155play), but they can't quite be ruled out. A renewal system with a span
156of roughly thirty years ensures that a work will be out of publication
157for at most a generation's time. This appears to be a good balance
158between the right of the creator and the desire to keep knowledge from
159dying (from my eyes).
160
161The works of the current generation, their parents, their
162grandparents, and their great-grandparents are still copyrighted in
163the US. Works created in the present will be copyrighted for the
164lifetime of the author and seventy years after; a span of roughly six
165generations.
166
167** Fewer Laws Are Better
8815b4ae 168
8a7c1bf7 169*** Individuals should not have their actions regulated
8815b4ae 170
8a7c1bf7 171*** Corporations must have their actions heavily regulated
172
173Corporate power disrupts the functioning of a free society. If the
174power wielded by a corporation were merely the sum of the individuals
175that composed it there would be little issue; the fundamental problem
176is that the benefits of gaining access to mass production facilities
177and a huge workforce that can be forced to cooperate on certain goals
e281f5a2 178gives a large corporation much more than this.
8a7c1bf7 179
180**** Corporate Personhood should be revoked
8815b4ae 181
8a7c1bf7 182**** Corporations should not be allowed to influence politics
183
184* Social Ills
185
186** Mass Culture
187
188American culture in the early 1900s began to homogenize, and now there
189is a single massive culture that almost all three hundred million
190people in the country share. This presents problems to those who do
191not fit in; in the days of the self sufficient village one could move
192to another location to find people similar to him, but now there is
193nowhere to go. Everywhere a *social deviant* goes he will feel alienated
194and have his social options severely limited.
195
196A monoculture reduces the rate of idea formation, and ours is actively
197hostile toward anything not falling in line with the
198mainstream. People are trained to act as a mass instead of as
199individuals; this results in far less creative people. Critical
200thinking is not encouraged; no, it is far worse! Critical thinking is
201discouraged, and those of us who wish to argue our points with logic
202are met with the undefeatable enemy of a closed mind that has been
203exposed to propaganda from birth.
204
205** The Automobile
206
207; How far is your average trip in a car? If you don't often go further
208; than twenty miles have you thought about getting rid of your car?
209; Twenty miles! Quite the distance, isn't it? In reality it is a short
210; [[Bicycle][bicycle]] ride that is often under or only slightly longer than an hour
211; long! If this pathetic nerd can do it so can you!
212
213; We have finite natural resources, and oil is a resource that we have
214; foolishly exploited to the point of exhaustion. Ethanol and other
215; biofuels are pipe dreams, and you **shall** have no choice but to learn to
216; live without a car as oil is going to increase in cost substantially
217; over the next twenty years. Why wait until you are forced to give up
218; your car to do so? It makes more economic sense to give it up now
219; rather than spend more and more of your income every year just to
220; travel. Even ignoring that aspect the confidence it fills you with is
221; quite wonderful; there was a time when I walked staring at the ground
222; fearful of the world, and now I stand tall and can stare a driver in
223; the eyes and tell him to go ahead and try to run into me because I'm
224; not giving up my ground.
225
226; Try self transport; it is good for your body and mind. The relative
227; low cost of automobiles has forced us into a false sense of needing to
228; be transported by machine. We are humans; the lone bipedal upon this
229; planet. We were born to transport ourselves!
230
231** Learned Ignorance and Weakness
232
233[[Old Viewpoints][obsolete]]
234
235[[TRUTH]]