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13 <h1>Quotations</h1>
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20 <!-- Page published by Emacs Muse begins here --><blockquote>
21 <p class="quoted">
22 There are those who consider that studies in harmony, counterpoint,
23 and fugue are the exclusive province of the intended composer. But if
24 we reflect that theory must follow practice, rarely preceding it
25 except by chance, we must realize that musical theory is not a set of
26 directions for composing music. It is rather the collected and
27 systematized deductions gathered by observing the practice of
28 composers over a long time, and it attempts to set forth what is or
29 has been their common practice. It tells not how music will be written
30 in the future, but how music has been written in the past.</p>
31 <p class="quoted">The results of such a definition of the true nature of musical theory
32 are many and important. First of all, it is clear that this knowledge
33 is indispensable to musicians in all fields of the art, whether they
34 be composers, performers, conductors, critics, teachers, or
35 musicologists. Indeed, a secure grounding in theory is even more a
36 necessity to the musical scholar than to the composer, since it forms
37 the basis for any intelligent appraisal of the individual styles of
38 the past or present.</p>
39 <p class="quoted">On the other hand, the person gifted for creative musical composition
40 is taking a serious risk in assuming that this genius is great enough
41 to get along without a deep knowledge of the common practice of
42 composers. Mastery of the technical or theoretical aspects of music
43 should be carried out by him as a life's work, running parallel to his
44 creative activity but quite separate from it. In the one he is
45 following common practice, while in the other he is responsible solely
46 to the dictates of his own personal tastes and urge for expression.</p>
47
48 </blockquote>
49
50 <p>Walter Piston (Intro to the first edition of <em>Harmony</em>)</p>
51
52 <p>&mdash;</p>
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79 <p class="cke-footer">* jeffcovey becomes too groggy to read the directions and becomes
80 the year's first nasal spray overdose fatality.
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82 <p class="cke-timestamp">Last Modified:
83 March 13, 2008</p>
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