The reading binge continues: finished /Phaedo/
[clinton/website/src/unknownlamer.org.git] / book-list.lisp
CommitLineData
d3481cd6 1(((|Alan| |Moore|)
2 nil
3 ("Watchmen" :fiction 8)
4 ("V for Vendetta" :fiction 10))
5 ((|Neil| |Gaiman|)
6 nil
7 ("The Sandman (series)"
8 :fiction 10
9 "Perhaps the best comic book series of all time; I would say *The
84a39f8c 10Sandman* as a whole ranks higher than anything even Alan Moore has
11written."))
d3481cd6 12 ((|William| |Blake|)
8725b57e 13 "Blake is my [[William Blake][favorite]] of the English poets. His
14unique use of relief etching and watercoloring makes for very
15interesting Illuminated works. There is a very high quality
874f8ca9 16[[http://blakearchive.org][complete archive of Blake's works]] online
17with high resolution plate scans and full transcriptions among other
18things."
19 ("The Four Zoas"
20 :fiction 10
21 "The unfinished manuscript of Blake's longest apocalypse. The
22Four Zoas divide from Albion and rage through the ages of dismal woe
23to bring about the end of the cycle of Ulro and restore the cycle of
24Beulah.")
25 ("Jerusalem" :fiction 10 "The finest of Blake's Illuminated works."))
26 ((|Kahlil| |Gibran|)
27 "Kahlil Gibran is fairly interesting; his earlier works do not
28agree with my æsthetic sense (blah blah), but *The Madman* onward are
29all rather nice. A few of his works are
30[[http://leb.net/~mira/][online]], but I recommend scouting used book
31stores for old hardcover editions. The (late 90s onward at least)
32*hardcover* versions from *Alfred A. Knopf* are in fact permabound
33paperbacks with a hardcasing, and are of seriously inferior quality to
34the editions from the 50s and 60s (and cost quite a bit more,
35naturally)."
36 ("A Tear and a Smile"
37 :fiction 3
38 "One of Kahlil Gibran's earlier works, I did not much like *A
39Tear and a Smile* excepting the last poem (\"A Poet's Voice\").")
e1fe71cb 40 ("The Prophet" :fiction 9)
874f8ca9 41 ("Sand and Foam" :fiction 7 "An interesting little book of aphorisms.")
e1fe71cb 42 ("The Madman" :fiction 8))
874f8ca9 43 ((|John| |Taylor| |Gatto|)
44 "Former teacher and now author-activist."
45 ("Underground History of American Education"
46 :nonfiction 9
47 "An interesting *underground* history of the American education
8c288476 48system. Available
49[[http://www.johntaylorgatto.com/underground/][online for free]]."))
874f8ca9 50 ((|Luke| |Rhinehardt|)
e1fe71cb 51 nil
874f8ca9 52 ("The Dice Man"
53 :fiction 7
54 "<quote>
55And it's his illusions about what
56constitutes the real world which are
57inhibiting him...
58His reality, his reason, his society
59...these are what must be destroyed
60</quote>
61
62A quotation from one of my [[http://en.wikipedia.org/wiki/Slaughter_of_the_Soul][favorite metal songs]] inspired me to grab
63this book; at worst it would be a waste of time. Much reward was found
64in this random stab in the dark. The book is framed as an
65autobiography of the author as a psychoanalyst, and his progression
66through life as a Dice Man after deciding to live his life through
67random chance.
68
69The style, plot, and content are equally neurotic; part comedy, part
70attack on psychoanalysis, and part deep philosophy. It was often
71difficult to put down, and was read in under a week of spare time."))
72 ((|Neal| |Stephenson|)
e1fe71cb 73 nil
874f8ca9 74 ("Snow Crash"
75 :fiction 9
76 "As one must read the *Bible* to understand English literature, so one
77must read *Snow Crash* today to be a nerd. In the realm of modern pop
78fiction this is one of the better books I've read; it was devoured in
79a mere four nights. Neal Stepheson may not be Milton, but he does come
80up with enganging tales. *Snow Crash* has a nice undertone of (quite
81accurate) political and social commentary that makes it worth reading
82as more than mere cyberpunk fiction.")
83 ("Cryptonomicon"
84 :fiction 8
85 "I read *Cryptonomicon* when it was new, and at the time I thought it was
86good. It could have lost a hundred or so pages without detracting from
87the plot, but it was easy reading and didn't take very long to
88finish. The story was enganging, and the continual switching between
89the 1940s and present day slowly unravelled the tale in a nice way.
90
91I'd still have to recommend *Snow Crash* if one wished to read only one
92Stephenson novel."))
93 ((|Marcus| |Aurelius|)
e1fe71cb 94 nil
874f8ca9 95 ("Meditations"
9241fdb3 96 :nonfiction 4
97 "At the time, I enjoyed reading this collection of meditations on
98Stoic philosophy, and it was a fairly quick read (fifteen minutes a
99day over the course of two weeks for me). Nowadays I've read
100Epictetus, and I suggest reading his *Discourses* instead."))
874f8ca9 101 ((|Søren| |Kierkegaard|)
102 "Kierkegaard was a master of style and philosophy; his writing is
103interesting even if one finds the theistic extentialism espoused
104disagreeable."
105 ("Sickness Unto Death"
106 :nonfiction 10
107 "I purchased this when I was looking through books at a store after
108being unable to find the book I really wanted, and I must say that it
109was better for me to have found this one.
110
111Contained within is a beautiful analysis of despair in the context of
112Christianity (really theism in general). Even if the argument offends,
113the presentation cannot. The dialectical nature of despair is
114reflected in every aspect of the work, and the method of presentation
115forces reflection.")
116 ("Either/Or"
117 :nonfiction 10
118 "Composed of two portions, *Either/Or* is a rather lengthy but
119rewarding read. The first book is a series of essays and a diary of a
120young esthetician; the second is a pair of long letters from an older
121ethicist friend to this esthetician. You are then left to resolve the
c24ca599 122conflict between the views.")
123 ("Fear and Trembling"
124 :nonfiction nil
adb5b1ca 125 "An interesting dialectical lyric contrasting Despair and Faith.")
126 ("Repetition"
127 :nonfiction 10
128 "He who despairs of esthetic repetition gets none; he who despairs
129of ethical repetition receieves the esthetic. Is it true then that no
130repetition exists? Is transition all one can hope for?"))
874f8ca9 131 ((|Thomas| |More|)
e1fe71cb 132 nil
874f8ca9 133 ("Utopia"
134 :fiction 7
135 "I read most of Utopia in high school with the TI-89 ebook reader, but
136the way the book was split up made it a bit difficult to grasp the
137overall structure. I found a copy at a used book store one day, and so
138I read it again, and found it much more comprehensible. It is a quick
139read, and decent piece of literature. The interesting social system
140espoused resembles resembles state communism (even if perhaps as a
141negative ideal), but with an strange blend of 14th century European
142social customs."))
143 ((|William| |James|)
e1fe71cb 144 nil
874f8ca9 145 ("The Varieties of Religious Experience"
146 :nonfiction 7
de5d3f07 147 "[[William James - The Varieties of Religious Experience][A partially finished extended summary]]")
148 ("The PhD Octopus"
149 :nonfiction nil
150 "<quote>
151America is thus as a nation rapidly drifting towards a state of things
152in which no man of science or letters will be accounted respectable
153unless some kind of badge or diploma is stamped upon him, and in which
154bare personality will be a mark of outcast estate. It seems to me high
155time to rouse ourselves to consciousness, and to cast a critical eye
156upon this decidedly grotesque tendency. Other nations suffer terribly
157from the Mandarin disease. Are we doomed to suffer like the rest?
158</quote>
0e14b2a8 159
de5d3f07 160[[William James - The PhD Octopus][Full Text]]"))
c5a0e228 161 ((|Henry| |James|)
162 "The novelist brother of William James; I've not read many (read:
163one) of his books, but what I did was decent."
164 ("The Altar of the Dead"
165 :fiction 7
166 "A short novella about a man who maintained an altar in a church
167for all of his lost loved ones on the surface, but something a bit
168more beneath."))
874f8ca9 169 ((|Gregor| |Kiczales|)
e1fe71cb 170 nil
874f8ca9 171 ("The Art of the Metaobject Protocol"
172 :nonfiction 10
173 "AMOP is useful as a reference to the CLOS MOP (although less so with
174the online MOP spec), but the true value of the book lies in the first
175half of the book. It presents the design of the CLOS MOP through a
176series of revisions that fix limitations of earlier implementations
177and gradually work toward a generic and well designed MOP for
178CLOS. Through that process one is made more aware of a few general
179object protocol design skills, and gains insight into how to cleanly
a8701f2f 180make mapping decisions customizable."))
181 ((|Friedrich| |Nietzsche|)
182 "A bit acerbic and esoteric, Nietzsche is for me a good *secular*
183counterpart to Kierkegaard's theistic philosophy. Nietzsche's
184polemical works raise important questions for anyone who reads works
185on ethics. As such it is a shame that he has gotten a bad reputation
186by being read by far too many angsty teenagers who see (and relay)
187only Nietzsche the asshole rather than Nietzsche the master of the
188polemic."
189 ("Beyond Good and Evil"
190 :nonfiction 8
191 "A somewhat more comprehensible, if a bit less aesthetically
192pleasing, presentation of much of the philosophy found in *Thus Spoke
c87c941a 193Zarathustra* in the negative form. The final chapters are very
194important (not to detract from the value of the rest of the work) if
195one wishes to understand *On the Genealogy of Morals*.")
a8701f2f 196 ("On the Geneaology of Morals"
197 :nonfiction 9
198 "*On the Geneaology of Morals* is a wonderful book of three
199polemical essays on the origin of moral/ethic valuations, and the
200blindness of modern philosphers whose very thinking is tainted by
9cc5feae 201these valuations unknowingly.")
202 ("Ecce Homo"
203 :nonfiction 7
204 "*Ecce Homo* is Nietzsche's very strange autobiography and
205explanation of his own works. At points it is clear that it could have
206used a bit more editing (prevented by Nietzsche ... falling into a
207catatonic state and all), but is still a very useful book to read as
38147217 208Nietzsche explains the overall structure of his works."))
209 ((|Aristotle|)
210 nil
211 ("Ethics"
212 :nonfiction nil)
213 ("Categories"
214 :nonfiction nil)
215 ("Poetics"
216 :nonfiction nil)
217;;; ("Prior Analytics"
218;;; :nonfiction nil
219;;; "*Prior Analytics* is essential reading if one wishes to understand
220;;; [[Term Logic][traditional logic]]. Given that traditional logic is
221;;; used by most philosophers prior to the mid-1800s it is a *bit*
222;;; important. Luckily *Prior Analytics* is
223;;; [[http://etext.library.adelaide.edu.au/a/aristotle/a8pra/index.html][available online for free]] and is fairly short.")
224 ("Rhetoric"
225 :nonfiction nil))
226 ((|Aristophanes|)
227 nil
228 ("The Frogs" :fiction nil)
229 ("The Clouds" :fiction nil)
230 ("Ecclesiazusae" :fiction nil))
231 ((|Plato|)
232 nil
233 ("Symposium" :fiction nil)
234 ("Euthyphro" :fiction nil)
235 ("Apology" :nonfiction nil)
236 ("Crito" :fiction nil)
9241fdb3 237 ("Phaedo" :nonfiction 10)
38147217 238 ("Protagoras" :fiction nil))
239 ((|Aeschylus|)
240 nil
241 ("Oresteia":fiction 10)
242 ("Prometheus Bound" :fiction 9)
243 ("The Persians" :fiction 8))
244 ((|Homer|)
245 nil
246 ("The Odyssey" :fiction 10))
247 ((|George| |Orwell|)
248 nil
249 ("1984" :fiction 10)
250 ("Animal Farm" :fiction nil))
251 ((|Aldous| |Huxley|)
252 "Perhaps the most overrated modern writer. Other people have written
253everything he has to write better and many years before he got around
254to it."
255 ("The Doors of Perception"
256 :nonfiction 0
257 "Huxley stains the name of Blake by naming this horrible
258pseudo-scientific and pseudo-poetic essay after a line from *The
259Marriage of Heaven and Hell*. Subjectivity and objectivity are
260incommensurable; his attempt and being subjectively objective is
261utterly worthless.")
262 ("Heaven and Hell"
263 :nonfiction 0
264 "Blah blah LSD blah blah Mushrooms blah blah Peytoe blah blah I'm
265Aldous Huxley I'm a pretentious jerk. Don't bother."))
266 ((|Douglas| |Adams|)
267 nil
268 ("Hitchiker's Guide to the Galaxy (collected)" :fiction 8)
269 ("The Long Dark Tea-Time of the Soul" :fiction 6))
270 ((|H.G.| |Wells|)
271 nil
9241fdb3 272 ("The Island of Dr Moreau" :fiction 7))
273 ((|JRR| |Tolkien|)
274 nil
275 ("The Lord of the Rings" :fiction 9)
276 ("The Silmarillion" :fiction 10)
277 ("The Lost Tales" :fiction 7))
278 ((|Bjarne| |Stroustrup|)
279 nil
280 ("The C++ Programming Language (3rd edition)"
281 :nonfiction nil
282 "Once upon a time I was fifteen and I read this book. It was more
283or less what taught me how to write programs just large enough to do
284useful things, and so shall forever be remembered by me. A year and a
285half later I stumbled upon a little language called Scheme and fell
286down the rabbit hole."))
287 ((|Confucius|)
288 nil
289 ("Analects" :nonfiction nil))
290 ((|Mencius|)
291 nil
292 ("Mencius" :nonfiction nil))
293 ((|Walter| |Miller|)
294 nil
295 ("A Canticle for Leibowitz" :fiction 10))
296 ((|David| |Lamkins|)
297 ("Successful Lisp"
298 :nonfiction 8
299 "After learning Scheme, I read *Successful Lisp* and was able to
300pick up Common Lisp fairly easily."))
301 ((|John| |Allison|)
302 "The author of the rather amazing [[http://scarygoround.com][ScaryGo Round].
303I highly recommend procuring the printed collections; the printing
304quality is superb (full color on glossy paper), and the long story
305arcs are much easier to read."
306 (("Looks, Brains and Everything" :fiction nil)
307 ("Blame the Sky" :fiction nil)
308 ("Skellington" :fiction nil)
309 ("The Retribution Index" :fiction nil)
310 ("Great Aches" :fiction nil)
311 ("Ahoy Hoy!" :fiction nil)
312 ("Heavy Metal Hearts and Flowers" :fiction nil)
313 ("Ghosts" :fiction nil))))
314