Yet again I fuck up the formatting. Fixed.
[clinton/website/site/unknownlamer.org.git] / book-list.lisp
... / ...
CommitLineData
1(((|Alan| |Moore|)
2 nil
3 ("Watchmen" :fiction 8)
4 ("V for Vendetta" :fiction 10))
5 ((|Neil| |Gaiman|)
6 nil
7 ("The Sandman (series)"
8 :fiction 10
9 "Perhaps the best comic book series of all time; I would say *The
10Sandman* as a whole ranks higher than anything even Alan Moore has
11written."))
12 ((|William| |Blake|)
13 "Blake is my [[William Blake][favorite]] of the English poets. His
14unique use of relief etching and watercoloring makes for very
15interesting Illuminated works. There is a very high quality
16[[http://blakearchive.org][complete archive of Blake's works]] online
17with high resolution plate scans and full transcriptions among other
18things."
19 ("The Four Zoas"
20 :fiction 10
21 "The unfinished manuscript of Blake's longest apocalypse. The
22Four Zoas divide from Albion and rage through the ages of dismal woe
23to bring about the end of the cycle of Ulro and restore the cycle of
24Beulah.")
25 ("Jerusalem" :fiction 10 "The finest of Blake's Illuminated works."))
26 ((|Kahlil| |Gibran|)
27 "Kahlil Gibran is fairly interesting; his earlier works do not
28agree with my æsthetic sense (blah blah), but *The Madman* onward are
29all rather nice. A few of his works are
30[[http://leb.net/~mira/][online]], but I recommend scouting used book
31stores for old hardcover editions. The (late 90s onward at least)
32*hardcover* versions from *Alfred A. Knopf* are in fact permabound
33paperbacks with a hardcasing, and are of seriously inferior quality to
34the editions from the 50s and 60s (and cost quite a bit more,
35naturally)."
36 ("A Tear and a Smile"
37 :fiction 3
38 "One of Kahlil Gibran's earlier works, I did not much like *A
39Tear and a Smile* excepting the last poem (\"A Poet's Voice\").")
40 ("The Prophet" :fiction 9)
41 ("Sand and Foam" :fiction 7 "An interesting little book of aphorisms.")
42 ("The Madman" :fiction 8))
43 ((|John| |Taylor| |Gatto|)
44 "Former teacher and now author-activist."
45 ("Underground History of American Education"
46 :nonfiction 9
47 "An interesting *underground* history of the American education
48system. Available
49[[http://www.johntaylorgatto.com/underground/][online for free]]."))
50 ((|Luke| |Rhinehardt|)
51 nil
52 ("The Dice Man"
53 :fiction 7
54 "<quote>
55And it's his illusions about what
56constitutes the real world which are
57inhibiting him...
58His reality, his reason, his society
59...these are what must be destroyed
60</quote>
61
62A quotation from one of my [[http://en.wikipedia.org/wiki/Slaughter_of_the_Soul][favorite metal songs]] inspired me to grab
63this book; at worst it would be a waste of time. Much reward was found
64in this random stab in the dark. The book is framed as an
65autobiography of the author as a psychoanalyst, and his progression
66through life as a Dice Man after deciding to live his life through
67random chance.
68
69The style, plot, and content are equally neurotic; part comedy, part
70attack on psychoanalysis, and part deep philosophy. It was often
71difficult to put down, and was read in under a week of spare time."))
72 ((|Neal| |Stephenson|)
73 nil
74 ("Snow Crash"
75 :fiction 9
76 "As one must read the *Bible* to understand English literature, so one
77must read *Snow Crash* today to be a nerd. In the realm of modern pop
78fiction this is one of the better books I've read; it was devoured in
79a mere four nights. Neal Stepheson may not be Milton, but he does come
80up with enganging tales. *Snow Crash* has a nice undertone of (quite
81accurate) political and social commentary that makes it worth reading
82as more than mere cyberpunk fiction.")
83 ("Cryptonomicon"
84 :fiction 8
85 "I read *Cryptonomicon* when it was new, and at the time I thought it was
86good. It could have lost a hundred or so pages without detracting from
87the plot, but it was easy reading and didn't take very long to
88finish. The story was enganging, and the continual switching between
89the 1940s and present day slowly unravelled the tale in a nice way.
90
91I'd still have to recommend *Snow Crash* if one wished to read only one
92Stephenson novel."))
93 ((|Marcus| |Aurelius|)
94 nil
95 ("Meditations"
96 :nonfiction 6
97 "I enjoyed reading this collection of meditations on Stoic
98philosophy. It is a fairly quick read; I read each of the twelve books
99before sleeping over the course of two weeks. Toward the end of the
100collection things get a bit topically repetetive (e.g. acting
101according to the nature of man is reflected upon over and over), but
102each repetition looks at the topic in a slightly different light. A
103number of passages I found quite inspiring, and scratched them down in
104my notebook to ponder further."))
105 ((|Søren| |Kierkegaard|)
106 "Kierkegaard was a master of style and philosophy; his writing is
107interesting even if one finds the theistic extentialism espoused
108disagreeable."
109 ("Sickness Unto Death"
110 :nonfiction 10
111 "I purchased this when I was looking through books at a store after
112being unable to find the book I really wanted, and I must say that it
113was better for me to have found this one.
114
115Contained within is a beautiful analysis of despair in the context of
116Christianity (really theism in general). Even if the argument offends,
117the presentation cannot. The dialectical nature of despair is
118reflected in every aspect of the work, and the method of presentation
119forces reflection.")
120 ("Either/Or"
121 :nonfiction 10
122 "Composed of two portions, *Either/Or* is a rather lengthy but
123rewarding read. The first book is a series of essays and a diary of a
124young esthetician; the second is a pair of long letters from an older
125ethicist friend to this esthetician. You are then left to resolve the
126conflict between the views.")
127 ("Fear and Trembling"
128 :nonfiction nil
129 "An interesting dialectical lyric contrasting Despair and Faith."))
130 ((|Thomas| |More|)
131 nil
132 ("Utopia"
133 :fiction 7
134 "I read most of Utopia in high school with the TI-89 ebook reader, but
135the way the book was split up made it a bit difficult to grasp the
136overall structure. I found a copy at a used book store one day, and so
137I read it again, and found it much more comprehensible. It is a quick
138read, and decent piece of literature. The interesting social system
139espoused resembles resembles state communism (even if perhaps as a
140negative ideal), but with an strange blend of 14th century European
141social customs."))
142 ((|William| |James|)
143 nil
144 ("The Varieties of Religious Experience"
145 :nonfiction 7
146 "[[William James - The Varieties of Religious Experience][A partially finished extended summary]]")
147 ("The PhD Octopus"
148 :nonfiction nil
149 "<quote>
150America is thus as a nation rapidly drifting towards a state of things
151in which no man of science or letters will be accounted respectable
152unless some kind of badge or diploma is stamped upon him, and in which
153bare personality will be a mark of outcast estate. It seems to me high
154time to rouse ourselves to consciousness, and to cast a critical eye
155upon this decidedly grotesque tendency. Other nations suffer terribly
156from the Mandarin disease. Are we doomed to suffer like the rest?
157</quote>
158
159[[William James - The PhD Octopus][Full Text]]"))
160 ((|Henry| |James|)
161 "The novelist brother of William James; I've not read many (read:
162one) of his books, but what I did was decent."
163 ("The Altar of the Dead"
164 :fiction 7
165 "A short novella about a man who maintained an altar in a church
166for all of his lost loved ones on the surface, but something a bit
167more beneath."))
168 ((|Gregor| |Kiczales|)
169 nil
170 ("The Art of the Metaobject Protocol"
171 :nonfiction 10
172 "AMOP is useful as a reference to the CLOS MOP (although less so with
173the online MOP spec), but the true value of the book lies in the first
174half of the book. It presents the design of the CLOS MOP through a
175series of revisions that fix limitations of earlier implementations
176and gradually work toward a generic and well designed MOP for
177CLOS. Through that process one is made more aware of a few general
178object protocol design skills, and gains insight into how to cleanly
179make mapping decisions customizable."))
180 ((|Friedrich| |Nietzsche|)
181 "A bit acerbic and esoteric, Nietzsche is for me a good *secular*
182counterpart to Kierkegaard's theistic philosophy. Nietzsche's
183polemical works raise important questions for anyone who reads works
184on ethics. As such it is a shame that he has gotten a bad reputation
185by being read by far too many angsty teenagers who see (and relay)
186only Nietzsche the asshole rather than Nietzsche the master of the
187polemic."
188 ("Beyond Good and Evil"
189 :nonfiction 8
190 "A somewhat more comprehensible, if a bit less aesthetically
191pleasing, presentation of much of the philosophy found in *Thus Spoke
192Zarathustra* in the negative form. The final chapters are very
193important (not to detract from the value of the rest of the work) if
194one wishes to understand *On the Genealogy of Morals*.")
195 ("On the Geneaology of Morals"
196 :nonfiction 9
197 "*On the Geneaology of Morals* is a wonderful book of three
198polemical essays on the origin of moral/ethic valuations, and the
199blindness of modern philosphers whose very thinking is tainted by
200these valuations unknowingly.")
201 ("Ecce Homo"
202 :nonfiction 7
203 "*Ecce Homo* is Nietzsche's very strange autobiography and
204explanation of his own works. At points it is clear that it could have
205used a bit more editing (prevented by Nietzsche ... falling into a
206catatonic state and all), but is still a very useful book to read as
207Nietzsche explains the overall structure of his works.")))