From 5f1212da8f28e54c43fb87678b6f7f5a53eafdbc Mon Sep 17 00:00:00 2001
From: clinton <clinton@unknownlamer.org>
Date: Fri, 9 Jan 2009 21:30:19 +0000
Subject: [PATCH] html updates

---
 Book List.html | 432 ++++++++++++++++++++++++++++++-------------------
 index.html     |   8 +-
 2 files changed, 268 insertions(+), 172 deletions(-)

diff --git a/Book List.html b/Book List.html
index f50149c..ba61514 100644
--- a/Book List.html	
+++ b/Book List.html	
@@ -77,343 +77,380 @@
 </dl>
 </dd>
 <dt>
-<a href="#sec17">Aristophanes</a>
+<a href="#sec17">Anonymous</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec18">The Frogs</a>
+<a href="#sec18">Chymical Wedding of Christian Rosenkreutz</a>
 </dt>
+</dl>
+</dd>
+<dt>
+<a href="#sec19">Aristophanes</a>
+</dt>
+<dd>
+<dl>
 <dt>
-<a href="#sec19">The Clouds</a>
+<a href="#sec20">The Frogs</a>
 </dt>
 <dt>
-<a href="#sec20">Ecclesiazusae</a>
+<a href="#sec21">The Clouds</a>
+</dt>
+<dt>
+<a href="#sec22">Ecclesiazusae</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec21">Aristotle</a>
+<a href="#sec23">Aristotle</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec22">Ethics</a>
+<a href="#sec24">Ethics</a>
 </dt>
 <dt>
-<a href="#sec23">Categories</a>
+<a href="#sec25">Categories</a>
 </dt>
 <dt>
-<a href="#sec24">Poetics</a>
+<a href="#sec26">Poetics</a>
 </dt>
 <dt>
-<a href="#sec25">Rhetoric</a>
+<a href="#sec27">Rhetoric</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec26">Marcus Aurelius</a>
+<a href="#sec28">Marcus Aurelius</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec27">Meditations</a>
+<a href="#sec29">Meditations</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec28">William Blake</a>
+<a href="#sec30">William Blake</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec29">The Four Zoas</a>
+<a href="#sec31">The Four Zoas</a>
 </dt>
 <dt>
-<a href="#sec30">Jerusalem</a>
+<a href="#sec32">Jerusalem</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec31">Confucius</a>
+<a href="#sec33">Mike Carey</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec32">Analects</a>
+<a href="#sec34">Lucifer (series)</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec33">Neil Gaiman</a>
+<a href="#sec35">Confucius</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec34">The Sandman (series)</a>
+<a href="#sec36">Analects</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec35">John Taylor Gatto</a>
+<a href="#sec37">Neil Gaiman</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec36">Underground History of American Education</a>
+<a href="#sec38">The Sandman (series)</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec37">Kahlil Gibran</a>
+<a href="#sec39">John Taylor Gatto</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec38">A Tear and a Smile</a>
+<a href="#sec40">Underground History of American Education</a>
 </dt>
+</dl>
+</dd>
 <dt>
-<a href="#sec39">The Prophet</a>
+<a href="#sec41">Kahlil Gibran</a>
+</dt>
+<dd>
+<dl>
+<dt>
+<a href="#sec42">A Tear and a Smile</a>
+</dt>
+<dt>
+<a href="#sec43">The Prophet</a>
 </dt>
 <dt>
-<a href="#sec40">Sand and Foam</a>
+<a href="#sec44">Sand and Foam</a>
 </dt>
 <dt>
-<a href="#sec41">The Madman</a>
+<a href="#sec45">The Madman</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec42">Homer</a>
+<a href="#sec46">Homer</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec43">The Odyssey</a>
+<a href="#sec47">The Odyssey</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec44">Aldous Huxley</a>
+<a href="#sec48">Aldous Huxley</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec45">The Doors of Perception</a>
+<a href="#sec49">The Doors of Perception</a>
 </dt>
 <dt>
-<a href="#sec46">Heaven and Hell</a>
+<a href="#sec50">Heaven and Hell</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec47">William James</a>
+<a href="#sec51">William James</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec48">The Varieties of Religious Experience</a>
+<a href="#sec52">The Varieties of Religious Experience</a>
 </dt>
 <dt>
-<a href="#sec49">The PhD Octopus</a>
+<a href="#sec53">The PhD Octopus</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec50">Henry James</a>
+<a href="#sec54">Henry James</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec51">The Altar of the Dead</a>
+<a href="#sec55">The Altar of the Dead</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec52">Gregor Kiczales</a>
+<a href="#sec56">Gregor Kiczales</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec53">The Art of the Metaobject Protocol</a>
+<a href="#sec57">The Art of the Metaobject Protocol</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec54">Søren Kierkegaard</a>
+<a href="#sec58">Søren Kierkegaard</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec55">Sickness Unto Death</a>
+<a href="#sec59">Sickness Unto Death</a>
 </dt>
 <dt>
-<a href="#sec56">Either/Or</a>
+<a href="#sec60">Either/Or</a>
 </dt>
 <dt>
-<a href="#sec57">Fear and Trembling</a>
+<a href="#sec61">Fear and Trembling</a>
 </dt>
 <dt>
-<a href="#sec58">Repetition</a>
+<a href="#sec62">Repetition</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec59">David Lamkins</a>
+<a href="#sec63">Alisa Kwitney</a>
 </dt>
+<dd>
+<dl>
 <dt>
-<a href="#sec60">Mencius</a>
+<a href="#sec64">Destiny: A Chronicle of Deaths Foretold</a>
+</dt>
+</dl>
+</dd>
+<dt>
+<a href="#sec65">David Lamkins</a>
+</dt>
+<dd>
+<dl>
+<dt>
+<a href="#sec66">Successful Lisp</a>
+</dt>
+</dl>
+</dd>
+<dt>
+<a href="#sec67">Mencius</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec61">Mencius</a>
+<a href="#sec68">Mencius</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec62">Walter Miller</a>
+<a href="#sec69">Walter Miller</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec63">A Canticle for Leibowitz</a>
+<a href="#sec70">A Canticle for Leibowitz</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec64">Alan Moore</a>
+<a href="#sec71">Alan Moore</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec65">Watchmen</a>
+<a href="#sec72">Watchmen</a>
 </dt>
 <dt>
-<a href="#sec66">V for Vendetta</a>
+<a href="#sec73">V for Vendetta</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec67">Thomas More</a>
+<a href="#sec74">Thomas More</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec68">Utopia</a>
+<a href="#sec75">Utopia</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec69">Friedrich Nietzsche</a>
+<a href="#sec76">Friedrich Nietzsche</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec70">Beyond Good and Evil</a>
+<a href="#sec77">Beyond Good and Evil</a>
 </dt>
 <dt>
-<a href="#sec71">On the Geneaology of Morals</a>
+<a href="#sec78">On the Geneaology of Morals</a>
 </dt>
 <dt>
-<a href="#sec72">Ecce Homo</a>
+<a href="#sec79">Ecce Homo</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec73">George Orwell</a>
+<a href="#sec80">George Orwell</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec74">1984</a>
+<a href="#sec81">1984</a>
 </dt>
 <dt>
-<a href="#sec75">Animal Farm</a>
+<a href="#sec82">Animal Farm</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec76">Plato</a>
+<a href="#sec83">Plato</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec77">Symposium</a>
+<a href="#sec84">Symposium</a>
 </dt>
 <dt>
-<a href="#sec78">Euthyphro</a>
+<a href="#sec85">Euthyphro</a>
 </dt>
 <dt>
-<a href="#sec79">Apology</a>
+<a href="#sec86">Apology</a>
 </dt>
 <dt>
-<a href="#sec80">Crito</a>
+<a href="#sec87">Crito</a>
 </dt>
 <dt>
-<a href="#sec81">Phaedo</a>
+<a href="#sec88">Phaedo</a>
 </dt>
 <dt>
-<a href="#sec82">Protagoras</a>
+<a href="#sec89">Protagoras</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec83">Luke Rhinehardt</a>
+<a href="#sec90">Luke Rhinehardt</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec84">The Dice Man</a>
+<a href="#sec91">The Dice Man</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec85">Neal Stephenson</a>
+<a href="#sec92">Neal Stephenson</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec86">Snow Crash</a>
+<a href="#sec93">Snow Crash</a>
 </dt>
 <dt>
-<a href="#sec87">Cryptonomicon</a>
+<a href="#sec94">Cryptonomicon</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec88">Bjarne Stroustrup</a>
+<a href="#sec95">Bjarne Stroustrup</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec89">The C++ Programming Language (3rd edition)</a>
+<a href="#sec96">The C++ Programming Language (3rd edition)</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec90">JRR Tolkien</a>
+<a href="#sec97">JRR Tolkien</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec91">The Lord of the Rings</a>
+<a href="#sec98">The Lord of the Rings</a>
 </dt>
 <dt>
-<a href="#sec92">The Silmarillion</a>
+<a href="#sec99">The Silmarillion</a>
 </dt>
 <dt>
-<a href="#sec93">The Lost Tales</a>
+<a href="#sec100">The Lost Tales</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec94">H.G. Wells</a>
+<a href="#sec101">H.G. Wells</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec95">The Island of Dr Moreau</a>
+<a href="#sec102">The Island of Dr Moreau</a>
 </dt>
 </dl>
 </dd>
@@ -481,7 +518,7 @@ The Persians</h3>
 <h2><a name="sec8" id="sec8"></a>
 John Allison</h2>
 
-<p class="first">The author of the rather amazing [[<a href="http://scarygoround.com">http://scarygoround.com</a>][ScaryGo Round].
+<p class="first">The author of the rather amazing <a href="http://scarygoround.com">Scary Go Round</a>.
 I highly recommend procuring the printed collections; the printing
 quality is superb (full color on glossy paper), and the long story
 arcs are much easier to read.</p>
@@ -560,11 +597,26 @@ Ghosts</h3>
 
 
 <h2><a name="sec17" id="sec17"></a>
-Aristophanes</h2>
+Anonymous</h2>
 
 
 
 <h3><a name="sec18" id="sec18"></a>
+Chymical Wedding of Christian Rosenkreutz</h3>
+
+<p><em>Fiction</em></p>
+
+
+
+
+
+
+<h2><a name="sec19" id="sec19"></a>
+Aristophanes</h2>
+
+
+
+<h3><a name="sec20" id="sec20"></a>
 The Frogs</h3>
 
 <p><em>Fiction</em></p>
@@ -573,7 +625,7 @@ The Frogs</h3>
 
 
 
-<h3><a name="sec19" id="sec19"></a>
+<h3><a name="sec21" id="sec21"></a>
 The Clouds</h3>
 
 <p><em>Fiction</em></p>
@@ -582,7 +634,7 @@ The Clouds</h3>
 
 
 
-<h3><a name="sec20" id="sec20"></a>
+<h3><a name="sec22" id="sec22"></a>
 Ecclesiazusae</h3>
 
 <p><em>Fiction</em></p>
@@ -592,12 +644,12 @@ Ecclesiazusae</h3>
 
 
 
-<h2><a name="sec21" id="sec21"></a>
+<h2><a name="sec23" id="sec23"></a>
 Aristotle</h2>
 
 
 
-<h3><a name="sec22" id="sec22"></a>
+<h3><a name="sec24" id="sec24"></a>
 Ethics</h3>
 
 <p><em>Nonfiction</em></p>
@@ -606,7 +658,7 @@ Ethics</h3>
 
 
 
-<h3><a name="sec23" id="sec23"></a>
+<h3><a name="sec25" id="sec25"></a>
 Categories</h3>
 
 <p><em>Nonfiction</em></p>
@@ -615,7 +667,7 @@ Categories</h3>
 
 
 
-<h3><a name="sec24" id="sec24"></a>
+<h3><a name="sec26" id="sec26"></a>
 Poetics</h3>
 
 <p><em>Nonfiction</em></p>
@@ -624,7 +676,7 @@ Poetics</h3>
 
 
 
-<h3><a name="sec25" id="sec25"></a>
+<h3><a name="sec27" id="sec27"></a>
 Rhetoric</h3>
 
 <p><em>Nonfiction</em></p>
@@ -634,12 +686,12 @@ Rhetoric</h3>
 
 
 
-<h2><a name="sec26" id="sec26"></a>
+<h2><a name="sec28" id="sec28"></a>
 Marcus Aurelius</h2>
 
 
 
-<h3><a name="sec27" id="sec27"></a>
+<h3><a name="sec29" id="sec29"></a>
 Meditations</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> ••••</span><span class="rating-bad">•••••• </span> (4) / <em>Nonfiction</em></p>
@@ -652,7 +704,7 @@ Epictetus, and I suggest reading his <em>Discourses</em> instead.</p>
 
 
 
-<h2><a name="sec28" id="sec28"></a>
+<h2><a name="sec30" id="sec30"></a>
 William Blake</h2>
 
 <p class="first">Blake is my <a href="William%20Blake.html">favorite</a> of the English poets. His
@@ -662,7 +714,7 @@ interesting Illuminated works. There is a very high quality
 with high resolution plate scans and full transcriptions among other
 things.</p>
 
-<h3><a name="sec29" id="sec29"></a>
+<h3><a name="sec31" id="sec31"></a>
 The Four Zoas</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Fiction</em></p>
@@ -674,7 +726,7 @@ Beulah.</p>
 
 
 
-<h3><a name="sec30" id="sec30"></a>
+<h3><a name="sec32" id="sec32"></a>
 Jerusalem</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Fiction</em></p>
@@ -684,12 +736,34 @@ Jerusalem</h3>
 
 
 
-<h2><a name="sec31" id="sec31"></a>
+<h2><a name="sec33" id="sec33"></a>
+Mike Carey</h2>
+
+
+
+<h3><a name="sec34" id="sec34"></a>
+Lucifer (series)</h3>
+
+<p><em>Rating:</em> <span class="rating-good"> ••••••</span><span class="rating-bad">•••• </span> (6) / <em>Fiction</em></p>
+
+<p>Of the <em>Sandman</em> spinoffs, <em>Lucifer</em> stands out as the best for
+the first half, but then the writer appears to take on far too great a
+task, and, with the introduction of some disagreeable character
+relations, fails to execute the story as well as it could have
+been. Still, it was worth reading to the end even though most of the
+stories after issue 35 or so were merely ok. If you like Kierkegaard I
+suggest issues 2, 3, and 62&mdash;they show the form of the incommensurable
+relation of the single individual to the absolute perfectly.</p>
+
+
+
+
+<h2><a name="sec35" id="sec35"></a>
 Confucius</h2>
 
 
 
-<h3><a name="sec32" id="sec32"></a>
+<h3><a name="sec36" id="sec36"></a>
 Analects</h3>
 
 <p><em>Nonfiction</em></p>
@@ -699,12 +773,12 @@ Analects</h3>
 
 
 
-<h2><a name="sec33" id="sec33"></a>
+<h2><a name="sec37" id="sec37"></a>
 Neil Gaiman</h2>
 
 
 
-<h3><a name="sec34" id="sec34"></a>
+<h3><a name="sec38" id="sec38"></a>
 The Sandman (series)</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Fiction</em></p>
@@ -716,12 +790,12 @@ written.</p>
 
 
 
-<h2><a name="sec35" id="sec35"></a>
+<h2><a name="sec39" id="sec39"></a>
 John Taylor Gatto</h2>
 
 <p class="first">Former teacher and now author-activist.</p>
 
-<h3><a name="sec36" id="sec36"></a>
+<h3><a name="sec40" id="sec40"></a>
 Underground History of American Education</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> •••••••••</span><span class="rating-bad">• </span> (9) / <em>Nonfiction</em></p>
@@ -733,7 +807,7 @@ system. Available
 
 
 
-<h2><a name="sec37" id="sec37"></a>
+<h2><a name="sec41" id="sec41"></a>
 Kahlil Gibran</h2>
 
 <p class="first">Kahlil Gibran is fairly interesting; his earlier works do not
@@ -746,7 +820,7 @@ paperbacks with a hardcasing, and are of seriously inferior quality to
 the editions from the 50s and 60s (and cost quite a bit more,
 naturally).</p>
 
-<h3><a name="sec38" id="sec38"></a>
+<h3><a name="sec42" id="sec42"></a>
 A Tear and a Smile</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> •••</span><span class="rating-bad">••••••• </span> (3) / <em>Fiction</em></p>
@@ -756,7 +830,7 @@ Tear and a Smile</em> excepting the last poem (&quot;A Poet's Voice&quot;).</p>
 
 
 
-<h3><a name="sec39" id="sec39"></a>
+<h3><a name="sec43" id="sec43"></a>
 The Prophet</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> •••••••••</span><span class="rating-bad">• </span> (9) / <em>Fiction</em></p>
@@ -765,7 +839,7 @@ The Prophet</h3>
 
 
 
-<h3><a name="sec40" id="sec40"></a>
+<h3><a name="sec44" id="sec44"></a>
 Sand and Foam</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> •••••••</span><span class="rating-bad">••• </span> (7) / <em>Fiction</em></p>
@@ -774,7 +848,7 @@ Sand and Foam</h3>
 
 
 
-<h3><a name="sec41" id="sec41"></a>
+<h3><a name="sec45" id="sec45"></a>
 The Madman</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> ••••••••</span><span class="rating-bad">•• </span> (8) / <em>Fiction</em></p>
@@ -784,12 +858,12 @@ The Madman</h3>
 
 
 
-<h2><a name="sec42" id="sec42"></a>
+<h2><a name="sec46" id="sec46"></a>
 Homer</h2>
 
 
 
-<h3><a name="sec43" id="sec43"></a>
+<h3><a name="sec47" id="sec47"></a>
 The Odyssey</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Fiction</em></p>
@@ -799,14 +873,14 @@ The Odyssey</h3>
 
 
 
-<h2><a name="sec44" id="sec44"></a>
+<h2><a name="sec48" id="sec48"></a>
 Aldous Huxley</h2>
 
 <p class="first">Perhaps the most overrated modern writer. Other people have written
 everything he has to write better and many years before he got around
 to it.</p>
 
-<h3><a name="sec45" id="sec45"></a>
+<h3><a name="sec49" id="sec49"></a>
 The Doors of Perception</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> </span><span class="rating-bad">•••••••••• </span> (0) / <em>Nonfiction</em></p>
@@ -819,7 +893,7 @@ utterly worthless.</p>
 
 
 
-<h3><a name="sec46" id="sec46"></a>
+<h3><a name="sec50" id="sec50"></a>
 Heaven and Hell</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> </span><span class="rating-bad">•••••••••• </span> (0) / <em>Nonfiction</em></p>
@@ -830,12 +904,12 @@ Aldous Huxley I'm a pretentious jerk. Don't bother.</p>
 
 
 
-<h2><a name="sec47" id="sec47"></a>
+<h2><a name="sec51" id="sec51"></a>
 William James</h2>
 
 
 
-<h3><a name="sec48" id="sec48"></a>
+<h3><a name="sec52" id="sec52"></a>
 The Varieties of Religious Experience</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> •••••••</span><span class="rating-bad">••• </span> (7) / <em>Nonfiction</em></p>
@@ -844,7 +918,7 @@ The Varieties of Religious Experience</h3>
 
 
 
-<h3><a name="sec49" id="sec49"></a>
+<h3><a name="sec53" id="sec53"></a>
 The PhD Octopus</h3>
 
 <p><em>Nonfiction</em></p>
@@ -866,13 +940,13 @@ from the Mandarin disease.  Are we doomed to suffer like the rest?</p>
 
 
 
-<h2><a name="sec50" id="sec50"></a>
+<h2><a name="sec54" id="sec54"></a>
 Henry James</h2>
 
 <p class="first">The novelist brother of William James; I've not read many (read:
 one) of his books, but what I did was decent.</p>
 
-<h3><a name="sec51" id="sec51"></a>
+<h3><a name="sec55" id="sec55"></a>
 The Altar of the Dead</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> •••••••</span><span class="rating-bad">••• </span> (7) / <em>Fiction</em></p>
@@ -884,12 +958,12 @@ more beneath.</p>
 
 
 
-<h2><a name="sec52" id="sec52"></a>
+<h2><a name="sec56" id="sec56"></a>
 Gregor Kiczales</h2>
 
 
 
-<h3><a name="sec53" id="sec53"></a>
+<h3><a name="sec57" id="sec57"></a>
 The Art of the Metaobject Protocol</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Nonfiction</em></p>
@@ -906,14 +980,14 @@ make mapping decisions customizable.</p>
 
 
 
-<h2><a name="sec54" id="sec54"></a>
+<h2><a name="sec58" id="sec58"></a>
 Søren Kierkegaard</h2>
 
 <p class="first">Kierkegaard was a master of style and philosophy; his writing is
 interesting even if one finds the theistic extentialism espoused
 disagreeable.</p>
 
-<h3><a name="sec55" id="sec55"></a>
+<h3><a name="sec59" id="sec59"></a>
 Sickness Unto Death</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Nonfiction</em></p>
@@ -930,7 +1004,7 @@ forces reflection.</p>
 
 
 
-<h3><a name="sec56" id="sec56"></a>
+<h3><a name="sec60" id="sec60"></a>
 Either/Or</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Nonfiction</em></p>
@@ -943,7 +1017,7 @@ conflict between the views.</p>
 
 
 
-<h3><a name="sec57" id="sec57"></a>
+<h3><a name="sec61" id="sec61"></a>
 Fear and Trembling</h3>
 
 <p><em>Nonfiction</em></p>
@@ -952,7 +1026,7 @@ Fear and Trembling</h3>
 
 
 
-<h3><a name="sec58" id="sec58"></a>
+<h3><a name="sec62" id="sec62"></a>
 Repetition</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Nonfiction</em></p>
@@ -964,22 +1038,43 @@ repetition exists? Is transition all one can hope for?</p>
 
 
 
-<h2><a name="sec59" id="sec59"></a>
+<h2><a name="sec63" id="sec63"></a>
+Alisa Kwitney</h2>
+
+
+
+<h3><a name="sec64" id="sec64"></a>
+Destiny: A Chronicle of Deaths Foretold</h3>
+
+<p><em>Rating:</em> <span class="rating-good"> ••••••••</span><span class="rating-bad">•• </span> (8) / <em>Fiction</em></p>
+
+
+
+
+
+
+<h2><a name="sec65" id="sec65"></a>
 David Lamkins</h2>
 
-<p class="first">(Successful Lisp NONFICTION 8
-<blockquote>
-<p class="quoted">After learning Scheme, I read <em>Successful Lisp</em> and was able to
-pick up Common Lisp fairly easily.)</p>
-</blockquote>
 
 
-<h2><a name="sec60" id="sec60"></a>
+<h3><a name="sec66" id="sec66"></a>
+Successful Lisp</h3>
+
+<p><em>Rating:</em> <span class="rating-good"> ••••••••</span><span class="rating-bad">•• </span> (8) / <em>Nonfiction</em></p>
+
+<p>After learning Scheme, I read <em>Successful Lisp</em> and was able to
+pick up Common Lisp fairly easily.</p>
+
+
+
+
+<h2><a name="sec67" id="sec67"></a>
 Mencius</h2>
 
 
 
-<h3><a name="sec61" id="sec61"></a>
+<h3><a name="sec68" id="sec68"></a>
 Mencius</h3>
 
 <p><em>Nonfiction</em></p>
@@ -989,12 +1084,12 @@ Mencius</h3>
 
 
 
-<h2><a name="sec62" id="sec62"></a>
+<h2><a name="sec69" id="sec69"></a>
 Walter Miller</h2>
 
 
 
-<h3><a name="sec63" id="sec63"></a>
+<h3><a name="sec70" id="sec70"></a>
 A Canticle for Leibowitz</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Fiction</em></p>
@@ -1004,12 +1099,12 @@ A Canticle for Leibowitz</h3>
 
 
 
-<h2><a name="sec64" id="sec64"></a>
+<h2><a name="sec71" id="sec71"></a>
 Alan Moore</h2>
 
 
 
-<h3><a name="sec65" id="sec65"></a>
+<h3><a name="sec72" id="sec72"></a>
 Watchmen</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> ••••••••</span><span class="rating-bad">•• </span> (8) / <em>Fiction</em></p>
@@ -1018,7 +1113,7 @@ Watchmen</h3>
 
 
 
-<h3><a name="sec66" id="sec66"></a>
+<h3><a name="sec73" id="sec73"></a>
 V for Vendetta</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Fiction</em></p>
@@ -1028,12 +1123,12 @@ V for Vendetta</h3>
 
 
 
-<h2><a name="sec67" id="sec67"></a>
+<h2><a name="sec74" id="sec74"></a>
 Thomas More</h2>
 
 
 
-<h3><a name="sec68" id="sec68"></a>
+<h3><a name="sec75" id="sec75"></a>
 Utopia</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> •••••••</span><span class="rating-bad">••• </span> (7) / <em>Fiction</em></p>
@@ -1050,7 +1145,7 @@ social customs.</p>
 
 
 
-<h2><a name="sec69" id="sec69"></a>
+<h2><a name="sec76" id="sec76"></a>
 Friedrich Nietzsche</h2>
 
 <p class="first">A bit acerbic and esoteric, Nietzsche is for me a good <em>secular</em>
@@ -1061,7 +1156,7 @@ by being read by far too many angsty teenagers who see (and relay)
 only Nietzsche the asshole rather than Nietzsche the master of the
 polemic.</p>
 
-<h3><a name="sec70" id="sec70"></a>
+<h3><a name="sec77" id="sec77"></a>
 Beyond Good and Evil</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> ••••••••</span><span class="rating-bad">•• </span> (8) / <em>Nonfiction</em></p>
@@ -1074,7 +1169,7 @@ one wishes to understand <em>On the Genealogy of Morals</em>.</p>
 
 
 
-<h3><a name="sec71" id="sec71"></a>
+<h3><a name="sec78" id="sec78"></a>
 On the Geneaology of Morals</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> •••••••••</span><span class="rating-bad">• </span> (9) / <em>Nonfiction</em></p>
@@ -1086,7 +1181,7 @@ these valuations unknowingly.</p>
 
 
 
-<h3><a name="sec72" id="sec72"></a>
+<h3><a name="sec79" id="sec79"></a>
 Ecce Homo</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> •••••••</span><span class="rating-bad">••• </span> (7) / <em>Nonfiction</em></p>
@@ -1100,12 +1195,12 @@ Nietzsche explains the overall structure of his works.</p>
 
 
 
-<h2><a name="sec73" id="sec73"></a>
+<h2><a name="sec80" id="sec80"></a>
 George Orwell</h2>
 
 
 
-<h3><a name="sec74" id="sec74"></a>
+<h3><a name="sec81" id="sec81"></a>
 1984</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Fiction</em></p>
@@ -1114,7 +1209,7 @@ George Orwell</h2>
 
 
 
-<h3><a name="sec75" id="sec75"></a>
+<h3><a name="sec82" id="sec82"></a>
 Animal Farm</h3>
 
 <p><em>Fiction</em></p>
@@ -1124,12 +1219,12 @@ Animal Farm</h3>
 
 
 
-<h2><a name="sec76" id="sec76"></a>
+<h2><a name="sec83" id="sec83"></a>
 Plato</h2>
 
 
 
-<h3><a name="sec77" id="sec77"></a>
+<h3><a name="sec84" id="sec84"></a>
 Symposium</h3>
 
 <p><em>Fiction</em></p>
@@ -1138,7 +1233,7 @@ Symposium</h3>
 
 
 
-<h3><a name="sec78" id="sec78"></a>
+<h3><a name="sec85" id="sec85"></a>
 Euthyphro</h3>
 
 <p><em>Fiction</em></p>
@@ -1147,7 +1242,7 @@ Euthyphro</h3>
 
 
 
-<h3><a name="sec79" id="sec79"></a>
+<h3><a name="sec86" id="sec86"></a>
 Apology</h3>
 
 <p><em>Nonfiction</em></p>
@@ -1156,7 +1251,7 @@ Apology</h3>
 
 
 
-<h3><a name="sec80" id="sec80"></a>
+<h3><a name="sec87" id="sec87"></a>
 Crito</h3>
 
 <p><em>Fiction</em></p>
@@ -1165,7 +1260,7 @@ Crito</h3>
 
 
 
-<h3><a name="sec81" id="sec81"></a>
+<h3><a name="sec88" id="sec88"></a>
 Phaedo</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Nonfiction</em></p>
@@ -1174,7 +1269,7 @@ Phaedo</h3>
 
 
 
-<h3><a name="sec82" id="sec82"></a>
+<h3><a name="sec89" id="sec89"></a>
 Protagoras</h3>
 
 <p><em>Fiction</em></p>
@@ -1184,12 +1279,12 @@ Protagoras</h3>
 
 
 
-<h2><a name="sec83" id="sec83"></a>
+<h2><a name="sec90" id="sec90"></a>
 Luke Rhinehardt</h2>
 
 
 
-<h3><a name="sec84" id="sec84"></a>
+<h3><a name="sec91" id="sec91"></a>
 The Dice Man</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> •••••••</span><span class="rating-bad">••• </span> (7) / <em>Fiction</em></p>
@@ -1218,12 +1313,12 @@ difficult to put down, and was read in under a week of spare time.</p>
 
 
 
-<h2><a name="sec85" id="sec85"></a>
+<h2><a name="sec92" id="sec92"></a>
 Neal Stephenson</h2>
 
 
 
-<h3><a name="sec86" id="sec86"></a>
+<h3><a name="sec93" id="sec93"></a>
 Snow Crash</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> •••••••••</span><span class="rating-bad">• </span> (9) / <em>Fiction</em></p>
@@ -1238,7 +1333,7 @@ as more than mere cyberpunk fiction.</p>
 
 
 
-<h3><a name="sec87" id="sec87"></a>
+<h3><a name="sec94" id="sec94"></a>
 Cryptonomicon</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> ••••••••</span><span class="rating-bad">•• </span> (8) / <em>Fiction</em></p>
@@ -1255,12 +1350,12 @@ Stephenson novel.</p>
 
 
 
-<h2><a name="sec88" id="sec88"></a>
+<h2><a name="sec95" id="sec95"></a>
 Bjarne Stroustrup</h2>
 
 
 
-<h3><a name="sec89" id="sec89"></a>
+<h3><a name="sec96" id="sec96"></a>
 The C++ Programming Language (3rd edition)</h3>
 
 <p><em>Nonfiction</em></p>
@@ -1274,12 +1369,12 @@ down the rabbit hole.</p>
 
 
 
-<h2><a name="sec90" id="sec90"></a>
+<h2><a name="sec97" id="sec97"></a>
 JRR Tolkien</h2>
 
 
 
-<h3><a name="sec91" id="sec91"></a>
+<h3><a name="sec98" id="sec98"></a>
 The Lord of the Rings</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> •••••••••</span><span class="rating-bad">• </span> (9) / <em>Fiction</em></p>
@@ -1288,7 +1383,7 @@ The Lord of the Rings</h3>
 
 
 
-<h3><a name="sec92" id="sec92"></a>
+<h3><a name="sec99" id="sec99"></a>
 The Silmarillion</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Fiction</em></p>
@@ -1297,7 +1392,7 @@ The Silmarillion</h3>
 
 
 
-<h3><a name="sec93" id="sec93"></a>
+<h3><a name="sec100" id="sec100"></a>
 The Lost Tales</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> •••••••</span><span class="rating-bad">••• </span> (7) / <em>Fiction</em></p>
@@ -1307,12 +1402,12 @@ The Lost Tales</h3>
 
 
 
-<h2><a name="sec94" id="sec94"></a>
+<h2><a name="sec101" id="sec101"></a>
 H.G. Wells</h2>
 
 
 
-<h3><a name="sec95" id="sec95"></a>
+<h3><a name="sec102" id="sec102"></a>
 The Island of Dr Moreau</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> •••••••</span><span class="rating-bad">••• </span> (7) / <em>Fiction</em></p>
@@ -1345,12 +1440,13 @@ The Island of Dr Moreau</h3>
     </a>
   </p>
 
-<p class="cke-footer">The body bags and little rags of children torn in two,
-And the jellied brains of those who remain to put the finger right on you
-As the madmen play on words and make us all dance to their song
-To the tune of starving millions to make a better kind of gun.
+<p class="cke-footer">                     How can you accept social supression                      
+                      This weak state of mind in our time                      
+                        I demand release from hypocrisy                        
+                 I'd rather die than be held down, forced down                 
+
 </p>
 <p class="cke-timestamp">Last Modified:
-    December 31, 2008</p>
+    January  9, 2009</p>
   </body>
 </html>
\ No newline at end of file
diff --git a/index.html b/index.html
index 4eccf1e..bd2dc4a 100644
--- a/index.html
+++ b/index.html
@@ -192,10 +192,10 @@ wrote and darcs.</p>
     </a>
   </p>
 
-<p class="cke-footer">And did those feet in ancient times
-Walk bare upon these lonely streets like mine?
-Does God watch us from that penthouse high above
-His children down below who live on air and love?
+<p class="cke-footer">unknownlamer: I got a rack.
+Erica: you have breasts?
+unknownlamer: No. A music rack.
+Erica: breasts that sing
 </p>
 <p class="cke-timestamp">Last Modified:
     December 11, 2008</p>
-- 
2.20.1