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17 | <body> | |
18 | <h1>The Printed Word Is Stronger Than Nuclear Arms</h1> | |
19 | <div class="contents"> | |
20 | <dl> | |
21 | <dt> | |
22 | <a href="#sec1">Authors</a> | |
23 | </dt> | |
24 | <dd> | |
25 | <dl> | |
26 | <dt> | |
27 | <a href="#sec2">William Blake</a> | |
28 | </dt> | |
f7bae6cc | 29 | <dt> |
30 | <a href="#sec3">Kahlil Gibran</a> | |
31 | </dt> | |
2aff8b5c | 32 | </dl> |
33 | </dd> | |
34 | <dt> | |
f7bae6cc | 35 | <a href="#sec4">Fiction</a> |
2aff8b5c | 36 | </dt> |
37 | <dd> | |
38 | <dl> | |
39 | <dt> | |
f7bae6cc | 40 | <a href="#sec5">General</a> |
2aff8b5c | 41 | </dt> |
42 | <dd> | |
43 | <dl> | |
44 | <dt> | |
f7bae6cc | 45 | <a href="#sec6">Luke Rhinehardt - The Dice Man</a> |
2aff8b5c | 46 | </dt> |
47 | </dl> | |
48 | </dd> | |
49 | <dt> | |
f7bae6cc | 50 | <a href="#sec7">Philosophical</a> |
2aff8b5c | 51 | </dt> |
2aff8b5c | 52 | <dt> |
53 | <a href="#sec8">Sci-Fi</a> | |
54 | </dt> | |
55 | <dd> | |
56 | <dl> | |
57 | <dt> | |
58 | <a href="#sec9">Neal Stephenson</a> | |
59 | </dt> | |
60 | </dl> | |
61 | </dd> | |
62 | </dl> | |
63 | </dd> | |
64 | <dt> | |
65 | <a href="#sec10">Non-Fiction</a> | |
66 | </dt> | |
67 | <dd> | |
68 | <dl> | |
69 | <dt> | |
70 | <a href="#sec11">Education</a> | |
71 | </dt> | |
72 | <dd> | |
73 | <dl> | |
74 | <dt> | |
75 | <a href="#sec12">John Taylor Gatto - Underground History of American Education</a> | |
76 | </dt> | |
77 | </dl> | |
78 | </dd> | |
79 | <dt> | |
80 | <a href="#sec13">Philosophy</a> | |
81 | </dt> | |
82 | <dd> | |
83 | <dl> | |
84 | <dt> | |
85 | <a href="#sec14">Chinese</a> | |
86 | </dt> | |
87 | <dt> | |
88 | <a href="#sec15">Marcus Aurelius - Meditations</a> | |
89 | </dt> | |
90 | <dt> | |
91 | <a href="#sec16">Søren Kierkegaard - The Sickness Unto Death</a> | |
92 | </dt> | |
93 | </dl> | |
94 | </dd> | |
95 | <dt> | |
96 | <a href="#sec17">Politics</a> | |
97 | </dt> | |
98 | <dd> | |
99 | <dl> | |
100 | <dt> | |
101 | <a href="#sec18">Thomas More - Utopia</a> | |
102 | </dt> | |
103 | </dl> | |
104 | </dd> | |
105 | <dt> | |
106 | <a href="#sec19">Religion</a> | |
107 | </dt> | |
108 | <dd> | |
109 | <dl> | |
110 | <dt> | |
111 | <a href="#sec20">William James - The Varieties of Religious Experience</a> | |
112 | </dt> | |
113 | </dl> | |
114 | </dd> | |
115 | <dt> | |
116 | <a href="#sec21">Technical</a> | |
117 | </dt> | |
118 | <dd> | |
119 | <dl> | |
120 | <dt> | |
121 | <a href="#sec22">C J Date - Database in Depth</a> | |
122 | </dt> | |
123 | <dt> | |
124 | <a href="#sec23">Gregor Kiczales - The Art of the Metaobject Protocol</a> | |
125 | </dt> | |
126 | </dl> | |
127 | </dd> | |
128 | </dl> | |
129 | </dd> | |
130 | <dt> | |
131 | <a href="#sec24">Reports</a> | |
132 | </dt> | |
133 | <dd> | |
134 | <dl> | |
135 | <dt> | |
136 | <a href="#sec25">2003 National Assesement of Adult Literacy</a> | |
137 | </dt> | |
138 | </dl> | |
139 | </dd> | |
140 | <dt> | |
141 | <a href="#sec26">Books That I Cannot Find</a> | |
142 | </dt> | |
143 | <dt> | |
144 | <a href="#sec27">Essays</a> | |
145 | </dt> | |
146 | <dd> | |
147 | <dl> | |
148 | <dt> | |
149 | <a href="#sec28">Computing</a> | |
150 | </dt> | |
151 | <dd> | |
152 | <dl> | |
153 | <dt> | |
154 | <a href="#sec29">Design</a> | |
155 | </dt> | |
156 | </dl> | |
157 | </dd> | |
158 | </dl> | |
159 | </dd> | |
160 | </dl> | |
161 | </div> | |
162 | ||
163 | ||
11f9bd69 CE |
164 | <!-- Page published by Emacs Muse begins here --> |
165 | <p>I enjoy classical literature and works of philosophy and politics with | |
2aff8b5c | 166 | a side of cyberpunk novels for when my brain is tired. When I was in |
167 | High School I read technical books for fun, but now I tend to find | |
168 | most of them useless (thank you Internet) excepting a few really well | |
169 | written ones (<em>L.i.s.p</em>, <em>TAOCP</em>, ...).</p> | |
170 | ||
171 | <p>I spend most of my time reading. A full list of things I have read | |
172 | would be impossible to compile, but here I am collecting links and | |
173 | small summaries of things I have read and find interesting enough to | |
174 | mention, but not always recommend, to others.</p> | |
175 | ||
176 | <h2><a name="sec1" id="sec1"></a> | |
177 | Authors</h2> | |
178 | ||
179 | <h3><a name="sec2" id="sec2"></a> | |
180 | William Blake</h3> | |
181 | ||
182 | <p class="first">His poetry is the result of spending too much time etching copper | |
183 | plates and breathing the fumes. Quite wonderful indeed.</p> | |
184 | ||
185 | ||
f7bae6cc | 186 | <h3><a name="sec3" id="sec3"></a> |
187 | Kahlil Gibran</h3> | |
188 | ||
189 | <p class="first">Kahlil Gibran is fairly interesting; his earlier works do not agree | |
190 | with my æsthetic sense (blah blah), but <em>The Madman</em> onward are all | |
191 | rather nice. So far I've read <em>A Tear and a Smile</em> (not so good | |
192 | excepting the last poem), <em>The Madman</em>, <em>The Prophet</em> (both excellent), | |
193 | and <em>Sand and Foam</em> (an interesting little book of aphorisms). A few of | |
194 | his works are <a href="http://leb.net/~mira/">online</a>, but I recommend scouting used book stores for | |
195 | old hardcover editions. The (late 90s onward at least) <em>hardcover</em> | |
196 | versions from <em>Alfred A. Knopf</em> are in fact permabound paperbacks with a | |
197 | hardcasing, and are of seriously inferior quality to the editions from | |
198 | the 50s and 60s (and cost quite a bit more, naturally).</p> | |
199 | ||
200 | ||
2aff8b5c | 201 | |
f7bae6cc | 202 | <h2><a name="sec4" id="sec4"></a> |
2aff8b5c | 203 | Fiction</h2> |
204 | ||
f7bae6cc | 205 | <h3><a name="sec5" id="sec5"></a> |
2aff8b5c | 206 | General</h3> |
207 | ||
f7bae6cc | 208 | <h4><a name="sec6" id="sec6"></a> |
2aff8b5c | 209 | Luke Rhinehardt - The Dice Man</h4> |
210 | ||
211 | <blockquote> | |
212 | <p class="quoted"> | |
213 | And it's his illusions about what | |
214 | constitutes the real world which are | |
215 | inhibiting him... | |
216 | His reality, his reason, his society | |
217 | ...these are what must be destroyed</p> | |
218 | ||
219 | </blockquote> | |
220 | ||
221 | <p>A quotation from one of my <a href="http://en.wikipedia.org/wiki/Slaughter_of_the_Soul">favorite metal songs</a> inspired me to grab | |
222 | this book; at worst it would be a waste of time. Much reward was found | |
223 | in this random stab in the dark. The book is framed as an | |
224 | autobiography of the author as a psychoanalyst, and his progression | |
225 | through life as a Dice Man after deciding to live his life through | |
226 | random chance.</p> | |
227 | ||
228 | <p>The style, plot, and content are equally neurotic; part comedy, part | |
229 | attack on psychoanalysis, and part deep philosophy. It was often | |
230 | difficult to put down, and was read in under a week of spare time.</p> | |
231 | ||
232 | ||
233 | ||
f7bae6cc | 234 | <h3><a name="sec7" id="sec7"></a> |
2aff8b5c | 235 | Philosophical</h3> |
236 | ||
2aff8b5c | 237 | |
238 | <h3><a name="sec8" id="sec8"></a> | |
239 | Sci-Fi</h3> | |
240 | ||
241 | <h4><a name="sec9" id="sec9"></a> | |
242 | Neal Stephenson</h4> | |
243 | ||
244 | <h5>Cryptonomicon</h5> | |
245 | ||
246 | <p>I read <em>Cryptonomicon</em> when it was new, and at the time I thought it was | |
247 | good. It could have lost a hundred or so pages without detracting from | |
248 | the plot, but it was easy reading and didn't take very long to | |
249 | finish. The story was enganging, and the continual switching between | |
250 | the 1940s and present day slowly unravelled the tale in a nice way.</p> | |
251 | ||
252 | <p>I'd still have to recommend <em>Snow Crash</em> if one wished to read only one | |
253 | Stephenson novel.</p> | |
254 | ||
255 | ||
256 | <h5>Snow Crash</h5> | |
257 | ||
258 | <p>As one must read the <em>Bible</em> to understand English literature, so one | |
259 | must read <em>Snow Crash</em> today to be a nerd. In the realm of modern pop | |
260 | fiction this is one of the better books I've read; it was devoured in | |
261 | a mere four nights. Neal Stepheson may not be Milton, but he does come | |
262 | up with enganging tales. <em>Snow Crash</em> has a nice undertone of (quite | |
263 | accurate) political and social commentary that makes it worth reading | |
264 | as more than mere cyberpunk fiction.</p> | |
265 | ||
266 | ||
267 | ||
268 | ||
269 | ||
270 | <h2><a name="sec10" id="sec10"></a> | |
271 | Non-Fiction</h2> | |
272 | ||
273 | <h3><a name="sec11" id="sec11"></a> | |
274 | Education</h3> | |
275 | ||
276 | <h4><a name="sec12" id="sec12"></a> | |
277 | John Taylor Gatto - <a href="http://www.johntaylorgatto.com/underground/toc1.htm">Underground History of American Education</a></h4> | |
278 | ||
279 | <p class="first">Contained within this book (available online for free, but the printed | |
280 | copy sits wonderfully on a shelf) is a detailed and seemingly well | |
281 | researched history of American Education with a particular focus on | |
282 | the transformation that has occured before our eyes in the last | |
283 | century. I am unsure if Gatto is entirely correct and not exaggerating | |
284 | anything; I have failed to find any negative criticisms, but it is not | |
285 | clear to me if that is because he is entirely correct or if no one | |
286 | cares enough to write a counterargument. I am in the process of | |
287 | tracking down as many of his sources as possible (a good number of | |
288 | them are out of print and not in the public domain yet), and will make | |
289 | an attempt to verify his argument over the course of the next year | |
290 | (that being 2007).</p> | |
291 | ||
292 | <p>If he is correct then every one of us has had the first eighteen years | |
293 | of our lives stolen from us, and we have collectively suffered massive | |
294 | intellectual damage. My intuitions tell me he is correct (which is why | |
295 | I am driven to verify; I cannot trust myself because I <em>want</em> to | |
296 | believe) for my individuality and intelligence were nearly stolen from | |
297 | me. The only reason I survived relatively unscathed is because I | |
298 | became completely socially withdrawn for the last half of elementary | |
299 | school until late in high school due to the abuse I received at the | |
300 | hands of my peers creating a deep fear of social interaction in | |
301 | me. The downside is that I had the confidence crushed from my soul, | |
302 | but now that I have begun to regain it (the good that bicycling | |
303 | enabling me to stand straight and gradual realization of my own worth | |
304 | as a human have done) I would never trade the ability to think freely | |
305 | for the social skills I lack.</p> | |
306 | ||
307 | ||
308 | ||
309 | <h3><a name="sec13" id="sec13"></a> | |
310 | Philosophy</h3> | |
311 | ||
312 | <h4><a name="sec14" id="sec14"></a> | |
313 | Chinese</h4> | |
314 | ||
315 | <h5>Tao Te Ching</h5> | |
316 | ||
317 | ||
318 | <h5>Confucianism</h5> | |
319 | ||
320 | <h5>The Analects</h5> | |
321 | ||
322 | ||
323 | ||
324 | ||
325 | <h4><a name="sec15" id="sec15"></a> | |
326 | Marcus Aurelius - Meditations</h4> | |
327 | ||
328 | <p class="first">I enjoyed reading this collection of meditations on Stoic | |
329 | philosophy. It is a fairly quick read; I read each of the twelve books | |
330 | before sleeping over the course of two weeks. Toward the end of the | |
331 | collection things get a bit topically repetetive (e.g. acting | |
332 | according to the nature of man is reflected upon over and over), but | |
333 | each repetition looks at the topic in a slightly different light. A | |
334 | number of passages I found quite inspiring, and scratched them down in | |
335 | my notebook to ponder further.</p> | |
336 | ||
337 | ||
338 | <h4><a name="sec16" id="sec16"></a> | |
339 | Søren Kierkegaard - The Sickness Unto Death</h4> | |
340 | ||
341 | <p class="first">I purchased this when I was looking through books at a store after | |
342 | being unable to find the book I really wanted, and I must say that it | |
343 | was better for me to have found this one.</p> | |
344 | ||
345 | <p>Contained within is a beautiful analysis of despair in the context of | |
346 | Christianity (really theism in general). Even if the argument offends, | |
347 | the presentation cannot. The dialectical nature of despair is | |
348 | reflected in every aspect of the work, and the method of presentation | |
349 | forces reflection.</p> | |
350 | ||
351 | ||
352 | ||
353 | <h3><a name="sec17" id="sec17"></a> | |
354 | Politics</h3> | |
355 | ||
356 | <h4><a name="sec18" id="sec18"></a> | |
357 | Thomas More - Utopia</h4> | |
358 | ||
359 | <p class="first">I read most of Utopia in high school with the TI-89 ebook reader, but | |
360 | the way the book was split up made it a bit difficult to grasp the | |
361 | overall structure. I found a copy at a used book store one day, and so | |
362 | I read it again, and found it much more comprehensible. It is a quick | |
363 | read, and decent piece of literature. The interesting social system | |
364 | espoused resembles resembles state communism (even if perhaps as a | |
365 | negative ideal), but with an strange blend of 14th century European | |
366 | social customs.</p> | |
367 | ||
368 | ||
369 | ||
370 | <h3><a name="sec19" id="sec19"></a> | |
371 | Religion</h3> | |
372 | ||
373 | <h4><a name="sec20" id="sec20"></a> | |
374 | <a href="William%20James%20-%20The%20Varieties%20of%20Religious%20Experience.html">William James - The Varieties of Religious Experience</a></h4> | |
375 | ||
376 | ||
377 | ||
378 | ||
379 | <h3><a name="sec21" id="sec21"></a> | |
380 | Technical</h3> | |
381 | ||
382 | <h4><a name="sec22" id="sec22"></a> | |
383 | C J Date - Database in Depth</h4> | |
384 | ||
385 | <p class="first">This was a complete waste of time. The author rants on for 180 pages | |
386 | and presents the information in a disorderly and shallow manner. It | |
387 | could be rewritten in about fifty pages and contain the same amount of | |
388 | information if it were organized properly and the off topic commentary | |
389 | were minimized.</p> | |
390 | ||
391 | ||
392 | <h4><a name="sec23" id="sec23"></a> | |
393 | Gregor Kiczales - The Art of the Metaobject Protocol</h4> | |
394 | ||
395 | <p class="first">AMOP is useful as a reference to the CLOS MOP (although less so with | |
396 | the online MOP spec), but the true value of the book lies in the first | |
397 | half of the book. It presents the design of the CLOS MOP through a | |
398 | series of revisions that fix limitations of earlier implementations | |
399 | and gradually work toward a generic and well designed MOP for | |
400 | CLOS. Through that process one is made more aware of a few general | |
401 | object protocol design skills, and gains insight into how to cleanly | |
402 | make mapping decisions customizable.</p> | |
403 | ||
404 | ||
405 | ||
406 | ||
407 | ||
408 | <h2><a name="sec24" id="sec24"></a> | |
409 | Reports</h2> | |
410 | ||
411 | <h3><a name="sec25" id="sec25"></a> | |
412 | <a href="http://nces.ed.gov/pubs2006/2006483.pdf">2003 National Assesement of Adult Literacy</a></h3> | |
413 | ||
414 | <p class="first">A depressing view of American literacy rates. Literacy skills | |
415 | decreased across almost every population segment in the US between | |
416 | 1993 and 2003; a mere 31% of college graduates are considered | |
417 | proficient in quantitative literacy (defined as being able to do | |
418 | things as terribly complicated as comparing two editorials).</p> | |
419 | ||
420 | ||
421 | ||
422 | ||
423 | <h2><a name="sec26" id="sec26"></a> | |
424 | Books That I Cannot Find</h2> | |
425 | ||
426 | <p class="first">If you know anyone who has copies I'd appreciate an email. I'm willing | |
427 | to buy books for a reasonable cost, and for ones that are more than 25 | |
428 | years old and out of print I am not opposed to <em>piracy</em> (no one is | |
429 | making money from them, and I feel that long copyrights are unethical | |
430 | and therefore feel no pangs of moral guilt).</p> | |
431 | ||
432 | <ul> | |
433 | <li><em>Crystallizing Public Opinion</em> by Edward Bernays | |
434 | ||
435 | <ul> | |
436 | <li>A supposed classic in the field of public relations. Curiosity | |
437 | demands that I read the writings of the father of the field to | |
438 | better understand the way the international media works.</li> | |
439 | <li>Another example of out of print books clearly having a market, | |
440 | but no publisher due to copyright (used copies go for nearly a | |
441 | thousand dollars in poor condition and hit five thousand or so | |
442 | for ones in good shape).</li> | |
443 | </ul></li> | |
444 | </ul> | |
445 | ||
446 | ||
447 | <h2><a name="sec27" id="sec27"></a> | |
448 | Essays</h2> | |
449 | ||
450 | <h3><a name="sec28" id="sec28"></a> | |
451 | Computing</h3> | |
452 | ||
453 | <h4><a name="sec29" id="sec29"></a> | |
454 | Design</h4> | |
455 | ||
456 | <h5><a href="http://deadhobosociety.com/index.php/Essays/ESSAY12">Confucianism and Technical Standards</a></h5> | |
457 | ||
458 | ||
459 | ||
460 | ||
461 | ||
462 | <!-- Page published by Emacs Muse ends here --> | |
463 | ||
464 | <p class="cke-buttons"> | |
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11f9bd69 CE |
488 | <p class="cke-footer"> To Wise Man's Son and Wednesday's Child all is white that is not black |
489 | They dance in symbiotic deadlock; one step forward two steps back | |
490 | Playing karmic snakes and ladders (All your sins will find you out) | |
491 | When all your gains are lost in vain on cosmic wings and roundabouts | |
2aff8b5c | 492 | </p> |
493 | <p class="cke-timestamp">Last Modified: | |
f6d19803 | 494 | January 21, 2013</p> |
2aff8b5c | 495 | </body> |
496 | </html> |